Twenty minutes later they walked along the street, umbrellas up, it was raining lightly, a few panhandlers, a woman in a mohawk and white makeup punching a doomsday leaflet into the belt buckle of Marvin's raincoat. PEACE IS COMING--BE PREPARED. Most the shops were open despite the hour or because of the hour and they were almost all below street level so you peered over a guardrail to see what they are selling, Role-Reveral Rubber Goods, or Endangered Fashions--jackets made from the skin of disappearing species.
They went into a hole in the wall place, a lot of cracked plaster and roachy baseboards and a stock of rare recordings. But you're not talking about old jazz 45s. These were phone taps you could buy, recordings of organized crime figures discussing their girlfriends or their lawyers, he's a hard-on with a briefcase--you're talking about men on the eleven o'clock news in cashmere overcoats with enough material you could clothe a Little League team from Taiwan. And phone taps of ordinary anonymous men and women, even more repellent-addictive, your next-door neighbor maybe, and Marvin understood how such a purchase could lead to stupefied hours of listening, could take take over a person's life, all the more so for the utter sucked-dry boredom of the recordings and how they provided the lure of every addiction, which is losing yourself to time.

I almost excerpted the part about Marvin having progessively worse-smelling BMs while traveling across Soviet Eastern Europe, but you know. This is more foretelling, considering it was copyrighted in 1997.

It makes me appreciate the Phillies more somehow

Somehow because of the immense appreciation that already exists for the Phillies in my brain. With any luck they will be the most dominant hometown team a Philadelphia homer will ever see. Filled with great baseball, irrepressible and clutch and dirty and other adjectives. The Reds were called the Little Red Machine* this year but not any more. Also the Phillies color could also also be considered red, with the hats and all. Perhaps 'Little Red Machine' is a play on the actual team name and baseball history, but people who say that have never read The Giver.



The subject of the title of this post though is the prologue of Don Delillo's novel Underworld, and the raw enjoyment I derived in reading it. Delillo's prose is certainly more fun than 900 pages 15th Century Spanish in translation, i.e. Don Quixote. Anecdotally: I ripped through the 60 page Underworld prologue in one sitting the first time. And there is likely another reading coming before the end of the baseball playoffs. And then another some day in December when I really miss baseball. Televised baseball is everyday and then not at all, cold turkey.

Basic summary: Jackie Gleason vomits on Frank Sinatra's shoes while Bobby Thompson hits 'The Shot Heard Round The World' among other things. The other things include a kid who jumps the turnstiles and paper falling from the upper decks and J. Edgar Hoover. And now I've done more research, via a google image search, and the prologue was actually a separate thing, at one point, called "Pafko at the wall" until it became the Underworld prologue, at which point it became "The Triumph of Death" which is the name of the painting that J. Edgar Hoover is looking at because it fell on him while Gleason was vomiting.



Whatever, Delillo loves him his crazy style. And the ideas are funny/poignant. I'm no literary scholar, but I've certainly read enough to post about him on the internet. Airborne Toxic Event ain't just a LA indie band. So as jarring as it may be to jump from 1951 baseball to some broad painting 230 bombers in a post-cold war USA desert, you know its going somewhere. Like, I trust this author. There are going to be sudden changes in setting, and tangents about waste and sex and death and crowds and whatever else, but at the end, the audience is going to know what happens. Which really is kind of important when trying to tell a story.



*It's possible I'm remembering this wrong and the nickname was something less demeaning.